Tag Archives: Folk Music

Recent Guests

Feature night with the Jennifer Bell Trio

Our guests for a feature night on 29th July were The Jennifer Bell Trio, with songwriter Jenny on vocals and 12-string guitar (occasionally exchanged for a lute), Wilson Walker on fiddle, and Daniel Kittmer on bodhrán and backing vocals.


The first song of the evening, Ho! Sailors, is also the opening track of the trio’s recently-released mini-album Old Bones and Silver Fishes. Recounting the many ways in which a sailor can drown, it got us off to a cheerily grim start, ‘swimming with the fishes where the sun has never shone, rattling in the deeps with the bones’. From the same album we heard the merrily unsettling Silver Fishes in which rising seas mean farmers become fishermen (‘and we’ll all be dead in the morning!’), and Little Nut Tree in which the King of Spain’s daughter, having stolen the tree, unwittingly feeds herself to it (‘a meal of blood and bone’). The macabre is one of Jenny’s lyrical specialisms, disarmingly offset by the almost Elizabethan sweetness of her vocal delivery.
Wil’s sensitive bowing turned gently pizzicato on the poetic Song of the Strand (the no-man’s land ‘where it all began, neither sea nor shore’), while Dan’s harmony vocals were particularly effective on Colours of Harmony (a song of love for the lute and the lutenist, though the lute itself took exception to the 30-odd-degree heat in our upstairs room this evening and understandably declined to be tuned). The hooves of the horses which come flying out of the mist in Newmarket Anthem were beautifully evoked by bodhrán rumbles and fiddle flourishes.
A great range of characters and narrators is to be found among these songs. And so to Bedlam offers an inmate’s view of the crazyhouse (‘My mind is clear, just coloured up with too much life’), Foxtrot is a jolly singalong number observing a hapless fox in his efforts to, ahem, dance with three little wise hares, and a song which may be called Fish Food (my notes fail me at this point) gives colourful voice to a particularly angry mermaid (‘You dirty pink longpigs! You’re just fish food! You’re thick as plankton!’), with whom it was hard to disagree. Stirring original songwriting set to tunes in which echoes and snippets of trad and early music are never far away.
Paul Carbuncle

Our next guests are Honey and the Bear on 16 October, with the postponed visit by Virginia Kettle on 7 October

Recent Guests, 17 June

The Rye Sisters

The Rye Sisters – Sue Pomeroy on guitar and Ishani Siriwardena on fiddle – are, as far as I know, unique as they are the only female duo in Britain singing the beautiful close ‘brother harmonies’ of Americana music. These harmonies started off in the United States in the 20s and 30s with duos such as the Louvin Brothers and the Delmore Brothers, culminating of course in the Everly Brothers. Sue and Ishani say they are now inspired by Gillian Welch & David Rawlings and Sarah Jarosz, amongst others


This is their second visit to our folk club and they have been singing together for ten years. I remember the first time they came here and we were blown away by their beautiful close harmonies. At that time most of their repertoire was from the American tradition but now they are writing their own songs and it was lovely to hear these new songs being performed with such aplomb and passion. The first one they did was Stuck in a Jam followed by South Bank but my favourite in the first set was a song called Tune by Tune by Heart, a song with a beautiful plangent melody. They finished off the first set with an ‘Americanised’ version of Last Thing on my Mind which everyone of course sang along to.

In the second set Sue and Ishani turned it up a notch and the evening really took off. My favourite song written by them was Waverley Station which had the emotional pull of a classic country song. Other highlights were I Wanna Sing that Rock ‘n’ Roll by Gillian Welch and They Don’t Know about Love by Kirsty MacColl. They finished the evening with a rousing version of Look Down That Lonesome Road popularized by Sister Rosetta Tharpe and, as encore, a moving acappella rendition of the gospel-like Stand Still. We all sang along and felt uplifted!
Mike Wareham


One more from our large selection of great floor performers: Penny Benford on Flute